Recorded At The Village: Melody Gardot’s “Currency Of Man”
- Caitlyn Elizabeth
- Jun 17, 2015
- 1 min read
Updated: May 31, 2020
On June 2nd, Melody Gardot released her fourth studio album, “Currency Of Man.” The album was recorded here at The Village, and produced by Grammy Award winning producer, Larry Klein.
“Currency Of Man” is stylistically different for Gardot, featuring her primarily on electric guitar – a departure from her typical piano heavy tracks. Furthering it’s uniqueness, the album was tracked to Analog tape, and tuned to 432hz.
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Such a beautifully crafted album—Currency of Man by Melody Gardot really shows her artistic evolution, blending soul, jazz, and deeper social themes into something powerful and timeless . Listening to it feels immersive and dynamic, almost like navigating unexpected turns in Crazy Cattle 3D—full of energy, emotion, and surprise.
Really enjoyed reading this—love how the article highlights the unique sound and recording approach behind the album. When I’m taking a break from music like this, I usually switch gears into something lighter like Subway Surfers to unwind a bit. It’s such a fun and relaxing way to pass time without thinking too much.
I really appreciate how this passage highlights the artistic evolution behind “Currency Of Man,” especially the shift to electric guitar and the choice to record on analog tape—it gives the album a distinct and authentic feel. I find it inspiring when artists take creative risks and still achieve recognition like topping the Billboard Jazz Chart. It reminds me how important experimentation is in any field. Even in my own downtime, like when I play EaglerCraft , I enjoy exploring different approaches and styles, which makes me appreciate creative innovation like this even more.
This album really feels like a bold, confident evolution for Melody Gardot—switching up her sound while still keeping the soul and artistry that define her music. Recording to analog tape and experimenting with 432hz adds a layer of intention that’s refreshing in today’s digital-heavy landscape. Hitting #1 on Billboard’s Jazz Chart shows that taking a Slope Rider risk and leaning into creative momentum can pay off in a big way.